Mindfulness is about being fully awake in our lives.
In Part Seven of my guide to being an indie author, I’d planned to talk about Amazon, but there’s loads of info out there about that.
What I’m doing today is telling you ways that you can be a truly indie author, which is to say non-Amazon exclusive. Because going wide is the only way to keep complete control over your own content.
This is Part Six in my continuing series of posts on the very basics of self-publishing books. This part discusses book distribution. And here’s the link to Part Five.
As a POD published author and a self-published author, the biggest hurdle you will face to getting your product placed in bookstores is the infeasibility of allowing your books to be returned for a complete refund if they aren’t sold. Not to mention the penalty the publisher gets socked with for shipping those books back. Unfortunately, this is what booksellers continue to insist upon and what traditional publishers continue to grant them. Authors continue to suffer financially as a result of this.
At one time, this obstacle seemed almost insurmountable. Authors were doing things like selling books out of the trunks of their cars direct to consumers. Setting up signings at book fairs, festivals and other venues, going to individual bookstores and arranging events where and when they could. These methods, although they can bear fruit with enough time and effort, are a lot of work, time consuming, and not terribly cost-effective. Then, clever authors found ways to use the Internet to sell books of various formats online. A much less labor-intensive and time-saving approach. At one time, the problem was virtually eliminated (no pun intended) with the advent of ebooks.
Ebooks are the cheapest, easiest and most logical way for self-published authors to distribute and sell their work. However, since I first self-published my fiction in 2009, the ebook market has exploded.
More than ever, this means self-published writers need to “up their game” in terms of the quality of their work.
Writing and promoting a badly-written book is like walking around with a “Kick me” sign on your back. You’re also doing nothing to advance your writing career. In fact, you may end up derailing it, if you aren’t careful.
Much of this advice depends on what you wish to achieve as a writer. Always remember that your notion of success may not match that of other “influential” authors.
Remember also never to compare your start with someone else’s middle.
Next up:
Amazon: To KDP Select or Not. Is that still a big deal the question? 🙂
PS: You’re damn right they’re NOT your publisher. Unless, of course, they are! 🙂
This is Part Five in my continuing series of posts on the very basics of self-publishing books. This part discusses how to set a price for a print book. And here’s a link to Part Four.
If you’re self-publishing under your own trade name, you’re entirely responsible for setting your book’s suggested retail price. This involves more than just looking at what other authors are charging for their books and setting your price somewhere in the same neighborhood.
This is Part Four in my continuing series of posts on the very basics of self-publishing books. This part discusses ISBNs: how to buy them and their importance. And here’s Part Three!
ISBNs
Let’s back up a moment and talk about ISBNs. If you decide to self-publish on your own, you’ll have to buy your own ISBNs. Every book has one and a different one is assigned for books in each format.